the great beauty berlusconi
What else made the Top 10? The Great Beauty (Italian: La grande bellezza [la ˈɡrande belˈlettsa]) is a 2013 Italian art drama film co-written and directed by Paolo Sorrentino. He likened it to Roberto Rossellini's Rome, Open City and Federico Fellini's La Dolce Vita in its ambition to record a period of Roman history on film. Movie mogul: Berlusconi's media company produced The Great Beauty, which won best foreign film at the Oscars Talented: The Great Beauty director Paolo … One of the most spectacular and talked-about films of the Cannes Film Festival, and Italy’s official submission for the 2014 Academy Awards, THE GREAT BEAUTY is Paolo Sorrentino’s powerful and evocative tale of hedonism and lost love, and an extraordinary depiction of contemporary Rome – where life is a performance, and the city its stage. Not unlike his Oscar-winning masterpiece The Great Beauty, Loro is awash in striking, surreal imagery and mesmerizing musical reveries to unchecked hedonism. [6][7] With a production budget of €9.2 million, the film has so far grossed over $24 million worldwide. And, above all, he thinks about starting to write again. Our journey is entirely imaginary, which is its strength."[8][9][10][11][12]. To a certain extent, “The Great Beauty” is a fantasy film lost in the vivid corners of its lead character’s mind. An opening scene, accompanied by what seems to be a rehearsal from an all-female choir in one of the city’s many echoing facades, is an almost frenzied onslaught of dramatic camera angles, and concludes with a Japanese tourist collapsing, dead. She’s actually not all that young (she’s 42) but is uninitiated to the decadence of Jep’s lifestyle, and he enjoys giving her access. On the other hand, it means that The Great Beauty is sometimes hard to pin down—it simply washes over you in great waves of saturated color, leaving behind certain impressions and sweeping away minor characters one after another. Paolo Sorrentino's ('Loro') deliriously entertaining 2014 Oscar- and BAFTA-winning film 'The Great Beauty' was hailed a modern 'La Dolce Vita'. By contrast, The Great Beauty finds Sorrentino going so far into the mythologies of his nation that he loses all perspective, spitting out an incoherent pastiche of Fellini (La Dolce Vita in particular) with a dash of accidental, toothless Tomás Gutiérrez Alea (Memories of … "[16], Robbie Collin at The Daily Telegraph awarded Sorrentino's film the maximum five stars and described it as "a shimmering coup de cinema". The purpose of his existence has become to become a "socialite", but not just any socialite, but "the king of society". Soon his "vicious circle" also breaks down: Ramona, with whom he had established an innocent and profound relationship, dies of an incurable disease; Romano, disappointed by the deceptive attractiveness of Rome, leaves the city farewelling only Jep; Stefania, humiliated by Jep who had revealed her secrets and her lies to her face, left Jep's worldly circle; Viola, on the other hand, after the death of her son, donates all her possessions to the Church and becomes a missionary in Africa. It is a co-production between the Italian Medusa Film and Indigo Film and the French Babe Films, with support from Banca Popolare di Vicenza, Pathé and France 2 Cinéma. The Great Beauty, widely regarded as an acid assault on the Berlusconi era, was bankrolled in part by the old rascal's Medusa Films production house. Many scenes have a similar, intentionally iconic quality. It centers around … Jep, though still a working journalist, spends most of his time palling around with a certain subset of the Roman elite (creative types, all affluent, and mostly over fifty). After directing the interesting "Il Divo" and the uneven "This Must Be the Place," filmmaker Paolo Sorrentino reaches an infinitely superior result in this his new movie, "The Great Beauty. Sorrentino’s style makes for absorbing eye candy, but is full of ambivalence towards the spectacle of it all. Later, a few of these figures become directly involved in the story, which ultimately concerns itself with questions of mortality and faith. Various critics named the film as one of the best of 2013. Paolo Sorrentino working on Silvio Berlusconi film . [20] Spanish film director Pedro Almodóvar named the film as one of the twelve best films of 2013, placing it second in his list. The sense of a large, working religious institution is established early on through incidental appearances by nuns and members of the clergy. Federico Fellini’s shadow still looms large over Italian cinema. The Great Beauty A 21st-century masterpiece and one of the most analyzed and acclaimed films of recent years, Paolo Sorrentino’s The Great Beauty (La grande bellezza) tells the story of an aging journalist and man about town, once a promising novelist who has since filled his life with the shallow pursuits of trendy high society. CD and track number from 2-CD original soundtrack album, Indigo Film IND009. Certificate: 15. Where to watch. Everything else is just disappointment and trouble. Jep Gambardella is a 65 years old seasoned costume journalist and theater critic, a fascinating man, mostly committed to wandering among the social events of a Rome immersed in the beauty of its history and in the superficiality of its inhabitants today, in a merciless contrast. The film opens with a quote from Céline's Journey to the End of the Night: "Traveling is very useful: it makes your imagination work. During the following days, Jep meets Ramona, a stripper with painful secrets, and Cardinal Bellucci, in whom the passion for cooking is more alive than his Catholic faith; Jep is gradually convinced of the futility and uselessness of his existence. If you can manage to hang on through its jubilant visual highs and depressive lows, you’ll find that Sorrentino’s vision of Rome contains a great deal of humanity. The Great Beauty Time Out. Great Beauty, The La dolche vita. GQ: One of your cinematic trademarks, in The Great Beauty for instance, is shooting these over-the-top party scenes. Which introduces Silvio Berlusconi into the picture, who was a prime minister of Italy for 9 years, serving longest terms post-war. Much of Sorrentino’s story is ephemeral, and it serves Jep’s character well, concerned as he is with art and the search for beauty. If you’re good at math, you can discern that there’s quite a … Unlike Marcello, the journalist and main figure in La Dolce Vita, Jep doesn’t really seem concerned with celebrities anymore (he’s shown early on interviewing a 2nd-tier performance artist) and is also possessing of a certain past-his-prime softness, though it doesn’t stop him from getting laid regularly. 1 movie of the year. Over 21st-century Italy, former Prime Minister Silvio Berlusconi enjoys a similarly imposing presence. In the vein of “The Great Beauty,” “Youth” and “The Young Pope,” the film is sprawling and idiosyncratic. Release Date: 05 Sep 2013. The Great Beauty director Paolo Sorrentino talks us through his new controversial Silvio Berlusconi biopic Loro In fact, The Great Beauty is unmistakably marked by impermanence. P aolo Sorrentino’s The Great Beauty presents us once again with that great fantasy of a writer’s life as being almost entirely comprised of drinking, bed-hopping, and, perhaps most importantly, being constantly told by friends and passersby alike just how brilliant they are. (The film’s self-reflexive reverence for Cinema, which is implicit in everything from Sorrentino’s casting to his meticulously orchestrated party scenes, is catnip to Academy voters—just look at The Artist, or Argo.) Updated, 4:23 p.m. | It’s been 15 years since an Italian movie, Roberto Benigni’s “Life Is Beautiful,” won the Academy Award for best foreign-language film, and in the interim only one film from that country has even received a nomination. The review aggregator website Rotten Tomatoes reported a 91% approval rating, based on 132 reviews, with a weighted average rating of 8.00/10. Shortly thereafter, at the funeral of another acquaintance, Jep breaks down while Ramona looks on in awe. [17] Deborah Young of The Hollywood Reporter stated "Sorrentino's vision of moral chaos and disorder, spiritual and emotional emptiness at this moment in time is even darker than Fellini's (though Ettore Scola's The Terrace certainly comes in somewhere). Director: Paolo Sorrentino Writer: Paolo Sorrentino & Umberto Contarello Starring: Toni Servillo, Sabrina Ferilli, Carlo Verdone, Giovanna Vignola, Carlo Buccirosso, Galatea Ranzi Release Date: Nov. 15, 2013, © 2021 Paste Media Group. He explains his own rules for navigating the social circle; for one, don’t ever cry at a funeral, lest you upstage the grieving family. The Great Beauty recently received a nomination for the Academy Award for Best Foreign Language film. Powerful shots on Berlusconi during Smutniak's sexy curtain, the scene looks like a real call to the movie ′′ The Great Beauty ′′ where Servillo shared the scene with Ferrari. 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